Scene from Casino (1995) I do not own the video or any rights to the video.
Martin Scorsese's penultimate collaboration with Robert De Niro.. Casino is probably my alltime favourite.

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Казино (1995) - Quotes - IMDb

The ending to Martin Scorsese's Casino (1995) Music by Bach.
Not enough big studio movies feature scenes in which a guy gets his head kicked to mush, especially when the kicker is an A-list star such as Gosling. Set in an elevator, the sequence in question has already earned a growing bit of infamy amongst festival attendees and critics; the rep should only grow ...

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Casino is a 1995 American epic crime film directed by Martin Scorsese and starring Robert De Niro, Joe Pesci, and Sharon Stone. It is based on the nonfiction book Casino: Love and Honor in Las Vegas by Nicholas Pileggi, who also co-wrote the screenplay for the film with Scorsese. The two previously collaborated on ...
It is now the last week of shooting, and we are in Las Vegas at the Stardust Casino shooting interiors. As it happened, the scene I was shooting that night took place in the same location (the floor of the casino) as Jim's last scene of the whole film. As is much the case for every movie, I was called in much earlier than needed.


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Казино (1995) - Quotes - IMDb

The last time I saw you your feet were in plaster and you were sitting in a wheelchair; what happened to your feet?' 'Nothing much, one night my wife came to me on the back of a dragon and insisted to get on it and go to the casino and once we'd won a lot of money, we'd have a good fuck. I wasn't that keen at first, but she ...
TANGIERS SPORTSBOOK/ACE'S OFFICE - NIGHT ACE looks over the casino he rules. NICKY (V.O.).we fucked it all up. It should'a been so sweet, too. But it turned out to be the last time that street guys like us were ever given anything that fuckin' valuable again. EXT. LAS VEGAS - NIGHT Aerial shot coming down out of ...


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Leaving Las Vegas - Mike Figgis - Google Books

The scene below comes during the film's final stretch. Nicky Santoro (Joe Pesci) has spent the movie terrorizing anyone who tries to horn in on the Vegas empire he's built with his back-home friend Ace Rothstein (Robert De Niro). Nicky also spends the movie pissing off the bosses back home, who start to ...
After the Teamsters got knocked out of the box, the corporations tore down practically every one of the old casinos. And where did the money come from to rebuild the pyramids? Junk bonds. But in the end, I wound up right back where I started. I could still pick winners, and I could still make money for all kinds of people back ...


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In the spring of 2006, the movie Casino Royale was filmed in front of this villa (the last scene of the movie when Bond meets Mr. White). Villa Balbianello outside Lenno—A monument to Italian adventurer Guido Monzino and star of films from James Bond. Casino Royale Villa La Gaeta,San Siro, Lake Como, Italy.
The story of Casino picked up where The Gamblers had left off. It painted a. As in real life, he was shot dead by an anonymous sore loser outside Canfield Casino, now a Saratoga landmark.. The last scene in the movie showed her holding her baby as she gathered up the keys to every wrought-iron gate on the property.


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If you were to rank all of Martin Scorsese's movies, no matter what criteria you used, Casino would probably be somewhere in the middle.
Most people who love it casino last scene love it more than, say, GoodFellas, and plenty of people don't love it at all.
In terms of box office, it's the director's out of more than two dozen features.
It earned just one Oscar nomination for Sharon Stonebut several http://winning-jackpot.win/casino/princess-cruise-casino-discount.html Scorsese movies have received zero.
Yet it has a strong following.
Amongonly four Scorsese films rank above it.
And let's be honest: many filmmakers would be lucky if their best work were as good as one of Scorsese's "mediocre" films.
Here's an overflowing stack of information about the violent, funny, Vegas-scented Casino.
I T ONLY EXISTS BECAUSE THE REAL GUY IT'S BASED ON WAS A BIG DE NIRO FAN.
The main character, Sam "Ace" Rothstein, is based on Frank "Lefty" Rosenthal, who was retired and living in Florida when writer Nicholas Pileggi came around wanting to write a book about his career.
Rosenthal didn't actively oppose the project, but he had no interest in helping, either—until he found out that Martin Scorsese planned to make Pileggi's eventual book into a movie, and that Robert De Niro would probably be the star.
Then he perked up, asking Pileggi who also wrote GoodFellas if he could arrange a meeting with De Niro.
Next thing Pileggi knew, formerly reticent associates of Rosenthal's were coming out of the woodwork, offering their cooperation.
THE OPENING TITLES WERE DESIGNED BY THE LEG ENDARY SAUL BASS.
Saul Bass is certainly the most famous and possibly the only well-known designer of opening credit sequences, with more than 50 to his name.
If there was a movie in the '50s or '60s article source distinctive opening titles, odds are austin tx trips that it was Bass' work, often in conjunction with his casino last scene, Elaine.
Bass did the titles for Scorsese's GoodFellas, Cape Fear, The Age of Innocence, and Casino, which turned out to be the final film of his career.
He died five months after the film opened, at the age of 75.
S CORSESE CAN CEL ED SHARON STONE'S AUDITION.
In the Blu-ray commentary, Stone relates the story of how she came to be in the film.
She says her first two auditions for Scorsese ended up being canceled for various mundane reasons—Scorsese was held up by another meeting, that sort of thing—and Stone's paranoia convinced her that he was blowing her off.
When the director's people contacted her to try it a third time, she turned them down and went out to dinner with a friend instead.
Scorsese tracked her down and showed up at the restaurant where she was dining to make a personal appeal.
IT WAS SHOT IN A REAL, OPERATING CASINO.
For Scorsese, it wouldn't do to build a fake casino on a studio lot.
Casino had to be shot in a real casino.
The thing about casinos, though, is that they never close.
So Scorsese with Las Vegas' Riviera to film there for six weeks, four nights a week presumably Monday through Thursdayfrom midnight to 10 a.
The film shoot occupied only a corner of the facility, but real gameplay was happening on the sides and in the background.
For extra authenticity and to spare the hassle of teaching actors how to do itScorsese used real dealers and pit bosses where possible.
JOE PESCI LOOKED SO MUCH LIKE THE REAL GUY THAT SOME CASINO PIT BOSSES DID DOUBLE-TA KES.
Pesci bore some natural resemblance to Tony "The Ant" Spilotro, the violent psychopath who busted heads for Rosenthal, and see more whom his character—Nicky Santoro—was based.
In makeup, he looked even more like Spilotro—so much so that,when Pesci entered the casino where the movie was being shot, some pit bosses who'd had personal dealings with Spilotro "almost fainted.
ACCORDING TO SCORSESE, THE FILM HAS "NO PLOT AT ALL.
So you know this going in.
There's a lot of action, casino last scene lot of story, but no plot.
source NIRO BASED SOME OF ACE'S STYLE—ESPECIALLY HIS GLASSES—ON LEW WASSERMAN.
And who was Lew Wasserman?
A talent agent-turned-studio mogul whose made him a legend—a household name in Hollywood, largely unknown everywhere else.
Robert De Niro, always passionate when it came to researching his roles, discovered that Lefty Rosenthal had been a clotheshorse, and he worked with costume designer Rita Ryack to create Ace Rothstein's "look," right down to his watches and jewelry.
Ace wears about 50 different outfits in the movie.
Wasserman had been the head of Universal Pictures for decades, and while he didn't have much in go here with Rosenthal otherwise, De Niro thought his huge, owlish eyeglasses would serve the character well, besides being a little homage to the studio boss.
THE MOVIE HAPPENED BECAUSE SCORSESE OPTED OUT OF MAKING CLOCKERS.
One little-remembered detail about Casino is that it came about because Scorsese had an opening in his schedule.
And that opening because he'd changed his mind about directing the film adaptation of Richard Price's novel Clockers, handing it over to Spike Lee instead Scorsese produced.
The Scorsese version of Clockers would have been interesting, but it would have meant no Casino.
JOE PESCI RE BROKE A RI B DURING FILMING.
During his character's final scene, when he's being beaten with a baseball bat, Pesci suffered a broken rib.
It was the that had been broken 15 years earlier by Robert De Niro, during the filming of Raging Bull.
The lesson: If you're going to keep being in movies where your character gets beaten up, choose directors and co-stars who aren't as intense as Scorsese and De Niro.
THE BOOK IT'S BASED ON A LMOST DIDN'T COME OUT UNTIL AFTER THE MOVIE.
Nicholas Pileggi intended to go the usual route of writing the book first, then concentrating on the film adaptation.
But Scorsese convinced him to do both simultaneously, which really meant focusing on the screenplay first, book second.
The two worked on the script together, after which Pileggi raced to finish the book so that it could come out before the movie was released.
The book ended up just six weeks before the film came out, almost link cutting into sales and probably confusing some readers: the book, unlike the movie, uses the characters' real names.
IT MADE THE STUDIO'S LAWYERS NERVOUS.
You're always in dangerous waters making a movie about the mafia, even when most of the facts are a matter of public record.
According to Scorsese, Universal's lawyers suggested changing the characters' names hence Frank "Lefty" Rosenthal becomes Sam "Ace" Rothsteinand even avoiding specific mention of Chicago being the Las Vegas mobsters' headquarters: they say "back home" instead, and the word "Chicago" never appears in the.
Another legal butt-covering strategy: having the onscreen titles say the movie was "adapted from a true story" rather than "based on a true story.
WE MAY NEVER KNOW WHAT THE REAL ACE ACTUAL LY THOU GHT OF THE MOVIE.
Lefty Rosenthal, who died in 2008, casino last scene he only ever saw the movie once.
If that's true, it was the screening of a rough cut that was also attended by Pileggi.
Pileggi sat with Rosenthal—they were the only ones in the screening room—and said Rosenthal's reaction was positive.
But near the end of his life, when an read more that, "You only saw Casino once—and you don't like the movie," Rosenthal replied that "It lacked the detail of what I did.
There are scenes where the Rosenthal character repeated the same thing twice.
I would only tell you to do something one time—that's all I needed.
And there was that scene that still angers me when I think of it—I never juggled on The Frank Rosenthal Show.
I resent that scene.
It makes me look foolish.
Did Pileggi misinterpret his initial reaction?
Here are 30 Best Picture winners you can stream right now.
More than 40 years after its original release, remains a quintessential film—and not just in terms of its own genre.
If your most recent viewing s of the movie have been on network television, you owe it to yourself—and the art of cinema as a whole—to set aside three hours of quiet time to bask in its mastery.
THE GODFATHER: PART II 1974 Where to watch it: Amazon, iTunes, Netflix In 1975, The Godfather: Part II casino last scene the first sequel to win the Oscar for Best Picture.
Unfortunately, the same cannot exactly be said for the third entry in the trilogy.
ROCKY 1976 Where to watch it: Amazon, iTunes Rocky is the script that Sylvester Stallone purports to have written in three days.
Sly stuck to his guns and the rest is movie history.
The story of a washed-up boxer who somehow almost manages to beat the champ is perhaps the greatest American-made David vs.
Goliath story in Hollywood history.
The film turned Stallone into an A-list name and earned him nods for both writing the film and starring in it.
AMADEUS 1984 Where to watch it: Amazon, iTunes Amadeus, much like the music of the man it is named for, gets better with age.
The lavish film tells the tragic story of musical genius Wolfgang Amadeus Mozart and his spiral into the depths of obsession and insanity at the hands of his nemesis, fellow composer Antonio Salieri.
As life often imitates art, F.
Murray Abraham Salieri beat out Tom Hulce Mozart for the Best Actor Oscar.
PLATOON 1986 Where to watch it: Amazon, iTunes More than a decade after the Vietnam War ended, Hollywood was still reluctant to delve its subject matter.
But Oliver Stone changed that with Platoon, a semi-autobiographical account of the psychological and moral issues a young soldier Charlie Source faces after abandoning his privileged life to voluntarily enlist in the U.
RAIN MAN 1998 Where to watch it: iTunes, Amazon Prior to Rain Man, no one knew much, if anything, about autism.
DANCES WITH WOLVES 1990 Where to watch it: Amazon, iTunes Click the following article With Wolves—which follows Civil War Lt.
Star Kevin Costner also took home the gold for directing, but missed out on the Best Actor award he was bested by Foxborough casino Irons, who won for Reversal of Fortune.
THE SILENCE OF THE LAMBS 1991 Where to watch it: Amazon, iTunes Director Jonathan Demme made genre history when The Silence of the Lambs became the first and so far only horror movie to be named Best Picture.
UNFORGIVEN 1992 Where to watch it: Amazon, iTunes One of only three westerns to be named Click Picture the aforementioned Dances With Wolves and Cimarron being the other twoUnforgiven stars Clint Eastwood who also directed the film as Bill Munny, an erstwhile shootist who is brought out of retirement to collect on one last bounty.
Featuring some of the finest mullets and war paint ever put on celluloid, Braveheart recounts the life of Scottish legend William Wallace and his struggle against the truculent Longshanks King Edward I of England.
The movie culminates in perhaps the most memorable disembowelment scene in recent film history.
TITANIC 1997 Where to watch it: Amazon, iTunes Girl meets boy.
Girl loses boy to icy, underwater grave by way of the Titanic disaster.
SHAKESPEARE IN LOVE 1998 Where to watch it: Amazon, iTunes Shakespeare In Love tells the story about that time Shakespeare lost and then regained his mojo.
It tells the story of Maximus, a Roman general who is betrayed, sold into slavery, and forced to fight as—you guessed it—a gladiator.
A BEAUTIFUL MIND 2001 Where to watch it: Amazon, iTunes A Beautiful Mind, the first collaboration between Ron Howard and Russell Crowe, tells the true story of famed mathematician John Nash and his struggle with schizophrenia.
In addition to its Best Picture win, the film took home Oscars for Best Director Ron HowardBest Supporting Actress Jennifer Connellyand Best Adapted Screenplay.
Though nominated for Best Actor, Crowe lost to Denzel Washington for Training Day.
And as such, the epic three-film endeavor—as a whole—demanded recognition from the Academy.
The Return of The King mounted the biggest sweep in Oscar history, winning all 11 awards for which see more was nominated which, surprisingly, did not include a single acting nod.
The film was loosely based on infamous Boston mobster Whitey Bulger, and chock full of bad Boston accents plus very real Boston accents, courtesy of Matt Damon and Mark Wahlberg.
Less about the plot and more about the chase, the film garnered the Coens Oscars for Best Picture, Best Directing, and Best Adapted Screenplay, and Javier Bardem was named Best Actor for his terrifying performance as Anton Chigurh.
THE HURT LOCKER 2008 Where to watch it: Amazon, Netflix, Hulu In 2010, Kathryn Bigelow became the first woman to be named Casino last scene Director for her work on The Hurt Locker, an unrelenting look at the psychology of warfare, as seen through the eyes of an American bomb squad in Iraq.
The film took home Oscars for Best Picture, Best Director Tom HooperBest Actor Colin Firthand Best Original Screenplay David Article source />ARGO 2012 Where to watch it: Amazon, iTunes Ben Affleck directed and starred in this true story about a fabricated sci-fi movie production that was used to free six Americans hiding in Tehran during the 1980 Iranian hostage crisis.
Argo took home ards for Best Picture, Best Screenplay, and Best Editing, but did not notch a victory for casino last scene director.
Filmmaker Steve McQueen made history with the film in 2014 when he became the first black producer to receive a Best Picture Oscar and the first black director behind the camera of a Best Picture-winning film.
BIRDMAN OR THE UNEXPECTED VIRTUE OF IGNORANCE 2014 Where to watch it: Amazon, iTunes When Alejandro González Iñárritu won the Best Director Oscar for The Revenant in 2016, it marked his second in a row, following 2015's win for Birdman, which tells the story of Riggan Thomson Michael Keatonan over-the-hill actor who tries to prove his worth as a thespian by starring in his own theatrical production of a Raymond Carver story.
Unfortunately, Riggan cannot escape his past—which haunts him in the form of a superhero in a bird suit.
Net neutrality is back in the news, as and Republican Susan Collins of Maine attempt to introduce a bill that would undo the sweeping deregulations that passed in December 2017.
The measures, championed bythe chairman of the Federal Communications Commission FCC and a noted net neutrality opponent, will the way consumers and businesses use and pay for internet access.
They are set to take effect on April 23.
But with a majority vote, members of Congress can invoke the Congressional Review Act, which allows the politicians to overrule the FCC's rules, "within 60 days casino last scene Congress receives the rule.
IT'S NOT A LAW; IT'S A PRINCIPLE Net neutrality is a principle in the same way that "freedom of speech" is.
We have laws that enforce net neutrality as we do for freedom of speechbut it's important to understand that it is a concept rather than a specific law.
IT'S ABOUT REGULATING ACCESS TO THE INTERNET Fundamentally, net neutrality is the principle that Internet Service Providers ISPs should not be allowed to prioritize one kind of data traffic over another.
This also means they cannot block services purely for business reasons.
To give a simple example, let's say your ISP also sells cable TV service.
That ISP might want to slow down your internet access to competing online TV services or make you pay extra if you want smooth access to them.
Net neutrality means that the ISP can't limit your access to online services.
Specifically, it means the FCC, which regulates the ISPs, can write rules to prevent ISPs from preferring certain services—and the FCC.
Proponents often talk about net neutrality as a "level playing field" for online services to compete.
This leaves ISPs in a position where they are providing a commodity service—access to the internet under specific FCC regulations—and that is not always a lucrative business to be in.
INTERNET PROVIDERS GENERALLY OPPOSE NET NEUTRALITY In 2014 and 2015, there was a of net neutrality that led to enforcing net neutrality.
The whole thing came about because Verizon the FCC over a previous set of rules and ended up, years later, being governed by even stricter regulations.
The opposing companies see net neutrality as unnecessary and burdensome regulation that will ultimately cost consumers in the end.
Further, they have sometimes promoted the idea of creating "fast lanes" for certain kinds of content as a category of innovation that is blocked by net neutrality rules.
TECH COMPANIES GENERALLY LOVE NET NEUTRALITY In support of those 2015 net neutrality rules were Amazon, Facebook, Google, Microsoft, Netflix, Twitter, Vimeo, and Yahoo.
These companies often argue that net neutrality has always been the de facto policy that allowed them to establish their businesses—and thus in turn should allow new businesses to emerge online in the future.
These innovations have created enormous value for Internet users, fueled economic growth, and made our Internet companies global leaders.
The innovation we have seen to date happened in a world without discrimination.
An open Internet has also been a platform for free speech and opportunity for billions of users.
THE FCC CHAIR ONCE QUOTED EMPEROR PALPATINEwho was one of the recipients of that open letter above and is now Chairman of the FCC, Emperor Palpatine from Return of the Jedi when the 2015 rules supporting net neutrality were first codified.
At the time he was an FCC Commissioner.
Pai said, "Young fool.
Only now, at the end, do you understand.
The Star Wars quote-off continued when a chimed in.
As emphasis added : Referring to Pai's comments Evan Greer, campaigns director at Fight for the Future, said: "What they didn't know is that when they struck down the last rules we would come back more powerful than they could possibly imagine.
THE TWO SIDES DISAGREE ABOUT WHAT NET NEUTRALITY'S EFFECTS ARE The Star Wars quotes above get at a key point of the net neutrality debate: Pai believes that net neutrality stifles innovation.
He was in the wake of the new net neutrality rules as saying, "permission-less innovation is a thing of the past.
He stated that the FCC had engaged in "regulatory overreach" in its rules governing internet access.
For previous coverage of net neutrality, check out our articles and.
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